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Series, newsletter, Web site mark film society's comeback

BY MARGARET A. McGURK
The Cincinnati Enquirer

After a rough patch that nearly drove the Cincinnati Film Society to extinction, the group is rebounding.

Modest state and local grants helped mount new exhibitions, including two recent series of film noir classics shown at The Movies Repertory downtown. A new series on French New Wave films begins there Jan. 31.

Plans are afoot for more themed series, a newsletter is in the works, even a Web site (http://www.cincinnatlas.com/filmsociety) is open.

The group hit a bureaucratic pothole about four years ago when a former officer allowed its post office box rental to lapse, says filmmaker Steve Gebhardt, who has been active in resuscitating the society. The oversight left the group out of touch with its members and led to the loss of a key operating grant when a check was returned to the Ohio Arts Council.

''We picked up what was left, which was a film society by name, and decided we weren't going to let something as valuable as that to the community just disappear,'' Mr. Gebhardt says.

The reconstituted group -- including president Dan Peterson, Brother Jerome Pryor from Xavier University, John Aber from the College of Mount St. Joseph, former University of Cincinnati professor R. Hector Currie, psychologist Carol Brady and lawyer Leona Durham, plus the society's managing director Sarah Hawkins -- won about $9,000 in new grants from city and state arts councils.

Last year, the society presented films at Cincinnati Museum Center, including the Palestinian documentary The People and The Land by Riad Bahhur and Tom Hayes, and launched the themed series at The Movies.

In addition to the New Wave series, the society plans series on rock documentaries, avant-garde American film and ''Censored in Cincinnati,'' a series of movies that have drawn official displeasure over the the past 30 years.

In time, Mr. Gebhardt says, the society hopes to present film and video production programs for aspiring creative artists.

New Wave series lineup

French New Wave films booked for the next Cincinnati Film Society series at The Movies Repertory, 719 Race. St., are:

Breathless (1959): Jean-Luc Godard's classic tale of a petty gangster (Jean-Paul Belmondo) on the run with a girl (Jean Seberg), the model for countless outlaw films. Jan. 31, Feb. 1.

Weekend (1967): Mr. Godard's dazzling, darkly comic vision of an ordinary woman transformed into a radical. Feb. 7-8.

Elevator to the Gallows (1957): Louis Malle's thriller stars Jeanne Moreau, the New Wave muse. Jazz score by Miles Davis. Feb. 14-15.

Jules & Jim (1961): Francois Truffaut directs Ms. Moreau in a charming story of a long-term love triangle. Feb. 21-22.

The Lovers (1958): An adulterous affair yields one of the best collaborations between Mr. Malle and Ms. Moreau, Feb. 28-March 1.

Shoot the Piano Player (1960): Mr. Truffaut's memorable yarn about a concert pianist (Charles Aznavour) who prefers life among the gangsters. March 7-8.

My Life to Live (1962): Mr. Godard's story of a shop girl who becomes a prostitute. March 14-15.

Saturday shows are matinees ($4). Sunday screenings are at night ($5, or $4 for students and seniors). For show times, call 381-3456 or 381-7950 after 4 p.m. and ask to be placed on the theater's mailing list.

Membership: $25, $15 students and seniors. 251-6060.



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